The Art Students League of New York Lobby Phone Booth 2017

For the last several decades, theInstructors Exhibition has opened the fall flavor in the Phyllis Harriman Mason Gallery at the Fine art Students League. In an atelier-based school, similar the League, an teacher'south piece of work of fine art can serve as a kind of autograph for the unique curriculum that he or she brings to the studio. This year we welcome x artists into the regular season corps of instructors: Sigmund Abeles, who will exist pedagogy Mastery & Empathic Effigy Drawing; Garin Baker, who will exist teaching Straight Figure & Portrait Painting; Peter Bonner, who will be instruction Brainchild: Inspiration & Development of Ideas; Bil Donovan, who volition be teaching Dynamic Way Drawing; Emily Hubley, who will be teaching Two-Dimensional Animation; Simon Levenson, who will exist educational activity Oil Painting from Life—Understanding Painting; Fran O'Neill, who will be teaching Painting, Color, Design; Kamilla Talbot, who volition exist pedagogy En Plein Air Watercolor Painting on Governors Island; Jason Yarmosky, who volition be teaching Elements of Drawing, Anatomy for Artists; and Weiqing Yuan, who will be instruction Exploring Watercolors.

The Instructors Exhibition 2017
September 8–28, 2017
Endmost reception: September 28, 5:30 – 7:thirty pm
Phyllis Harriman Stonemason Gallery
The Art Students League of New York

Gallery Hours
Monday–Friday, ix:00 am–8:30 pm
Saturday, 9:00 am–3:00 pm
Airtight Sundays

Kamilla Talbot, Yellowish Deep, 2016,
oil on linen, 34 10 26 in.

Paul Oestreicher, The Quondam King, 1988, bronze, 27 x 24 ten 21 in.

Wendy Shalen, Pigeon, watercolor on newspaper, xviii x 24 in.

Knox Martin, Woman Seated, 2017, acrylic on tyvek mounted on Masonite, 45 x fifty in. ©Knox Martin/Licensed by VAGA, New York, NY

Anthony Antonios, Solitude, statuary, 23 in., including base.

Mariano Del Rosario, Untitled, 2017,
neon, rotor, concrete, tar, and pigment on honeycomb aluminum console, 26 ten 26 in.

James Little, Apache, 2016–17, oil on stained linen, 23 ten 29 in.

Marshall Jones, Endangered Species/Hostile Planet, oil on linen, 46 ten 58 in.

Costa Vavagiakis, Connie Four, graphite on newspaper, 26 x xx in.

Ephraim Rubenstein, New River Afternoon; Galax, Virginia, 2016,
oil on linen, twenty x 27 in.

Simon Levenson, Read, oil on canvas, 38 x 38 in.

Henry Finkelstein, Hills Above Bragoux, 2015,
oil on canvas, 48 x 50 in.

Sharon Sprung, Women every bit Warrior, oil on panel, 30 ten 32 in.

Sylvie Covey, Wyoming 1, 2010, lithograph on rice paper,
mounted on aluminum with wax, thirty 10 40 in.

Mary Beth McKenzie, Renee (easel), oil, 52 ten 40 in.

Bruce Dorfman, NIKKOU, 2017,
assemblage painting, 55 x 31 x 3 in.

Yasumitsu Morito, Untitled, 2017, glazed ceramic, sixteen x 36 x 10 in.

Karen O'Neil, Java Pot & Orangish, 2017, oil, 20 x 20 in.

Robert Cenedella, Pence on Globe, 2017,
oil on primed linen, fifty x 36 in.

Neb Behnken, The Embrace of Winter, 2017, lithograph, 12 10 13 in.

Joseph Peller, Twilight Fog, Eastward River, 2017, oil on linen, 30 x 50 in.
Courtesy ACA Galleries New York NY

Naomi Campbell, When sound is perceived as figure and portrayed as 3D movement,
2017, watercolor, ink, work on paper, 19 x 48 in. (framed).

Peter Reginato, PIPS, 2017,
enamel and photograph on sail, 24 10 24 in.

Timothy J. Clark, Guitarristas, Andalusian Nocturne, 2016, watercolor, 19 x 27 in.

Ronnie Landfield, Afternoon Mystery, 2017,
acrylic, 46 x 39 in.

Ellen Hawkeye, Self-Portrait 2016, 2016,
pastel on pumice board, 9 x 7 1/eight in.

Leonid Gervits, Mean solar day at Coopers Beach, Southampton, 2013,
acrylic on canvas, 48 x 48 in.

John Varriano, Ira in Studio, 2016, oil on canvas, 42 x 36 in.

Doug Safranek, Gathered past Hand, 2017, egg tempera on panel, 22 x 25¾ in.

James Garvey, Stabby, 2017,
forged steel, 54 x 12 x 14 in.

Dean Hartung, Brinckman Subcontract, oil on console, 14½ 10 22 in.

Michael Pellettieri, Broadway,
lithograph, 17⅛ 10 eleven½ in.

Jerry Weiss, McKenzie, 2016,
oil on linen, 48 x 36 in.

Martha Bloom, Barlow'due south Hill, 2017,
mitt-painted edited photo aggregation, 36 x 36 in.

Sherry Camhy, Father Time, 2015, graphite on blackness, 15 10 30 in.

Thomas Torak, Studio Interior with Nocturne, 2013,
oil on linen, 30 10 24 in.

Richard Barnet, What If, 2015, watercolor and ink on paper, xix 10 25 in.

Frederick Brosen, Piazza delle Cinque Scole, 2015,
watercolor over graphite on newspaper, 30 ten 26 in.

Dan Gheno, Ragnarok Begins 1: Expiry of the Demos,
diptych, oil, 2016-17, 50 10 36 in.

Sigmund Abeles, Aaron Will Have to Do the Talking, 2015,
oil on panel, 48 ten 28 in.

Deborah Winiarski, Dover Embankment,
material, graphite, encaustic, oil on panel, 31 x 36 x 4 in.

Michael Burban, Saint John'south River, North Florida, June 28, 2017,
oil on canvas, 18 ten 24 in.

Susan Cirigliano, Yin Yang, 2017,
ink and watercolor drawing, 25 10 25 in.

Marilyn J. Friedman, Sacrifice, 2014,
fired clay, eighteen x 22 x 36 in.

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Source: https://asllinea.org/art-students-league-instructors-exhibition-2017/

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